Jean Didier Maille Luthier
The indicated "inventor" in the violin is Andrea Amati. Amati was initially a lute creator however turned to the newest instrument manifestation of violin in the mid sixteenth century. He was the ancestor of the popular Amati selection of luthiers dynamic in Cremona, Italy till the eighteenth century. Andrea Amati had two children. His eldest was Antonio Amati (c.1537,1540-1607), as well as the more youthful, Girolamo Amati (c.1561-1630). Girolamo is additionally called Hieronymus, and along with his sibling transformed numerous violins with marks within the instrument perusing "A&h."Luthier Jean Didier Maille
Gasparo da Salò of Brescia (Italy) was another essential early luthier of the violin crew. About 80 of his instruments survive, and around one hundred archives that identify with his work. He was likewise a twofold bass child and playernephew and child of two violin players: Francesco and Agosti.
Luthier Jean Didier Maille
Antonio kicked the bucket having no known posterity, however Hieronymus converted into a father. His child Nicolò (1596-1684), was himself an essential expert luthier who had a few understudies of note including Antonio Stradivari (likely), Andrea Guarneri, Bartolomeo Cristofori, Bartolomeo Pasta, Jacob Railich, Giovanni Battista Rogeri, Matthias Klotz and conceivably Jacob Stainer.
Gasparo Duiffopruggar of Füssen, Germany, was once erroneously credited since the designer from the violin. He was likely an imperative creator, yet no documentation survives, without any instruments survive that specialists unequivocally know are his.
Da Salò made numerous instruments and traded to Spain and France, and many prone to England. He had a minimum of five disciples: his child Francesco, an assistant named Battista, Alexander of Marsiglia, Giacomo Lafranchini and-the most critical-Giovanni Paolo Maggini. Maggini inherited da Salò's business in Brescia. Valentino Siani dealt with Maggini. In 1620 Maggini relocated to Florence.
Luthiers conceived within the mid seventeenth century incorporate Giovanni Grancino, Carlo Giuseppe Testore and his children Carlo Antonio Testore and Paolo Antonio Testore, all from Milan. From Venice the luthiers Matteo Goffriller, Domenico Montagnana, Sanctus Seraphin and Carlo Annibale Tononi were principals inside the Venetian school of violin making (even though the recent started his profession in Bologna). The Bergonzi group of luthiers were the successors towards the Amati family in Cremona. David Tecchler who was conceived in Austria later worked both in Venice and Rome.
Paramount luthiers from the early eighteenth century incorporate Nicolò Gagliano ofNaples and Italy, Carlo Ferdinando Landolfi of Milan and Giovanni Battista Guadagnini who meandered all around Italy throughout his lifetime. From Austria initially, Leopold Widhalm later settled himself in Nürnberg, Germany.
The early nineteenth century luthiers from the Mirecourt school of violin making in France were the Vuillaume family, Charles Jean Baptiste Collin-Mezin, and Collin-Mezin's child, Charles Collin-Mezin, Jr.. Nicola Utili (otherwise called Nicola da Castel Bolognese) (Ravenna,italy. Walk 1888 - May 1962) close to customary lute works tested the making of "pear molded" violins.
The Jérôme-Thibouville-Lamy firm began making wind instruments around 1730 at La Couture-Boussey, then moved to Mirecourt around 1760 and began makingguitars and violins, mandolins…
Gasparo da Salò of Brescia (Italy) was another essential early luthier of the violin crew. About 80 of his instruments survive, and around one hundred archives that identify with his work. He was likewise a twofold bass child and playernephew and child of two violin players: Francesco and Agosti.
Luthier Jean Didier Maille
Antonio kicked the bucket having no known posterity, however Hieronymus converted into a father. His child Nicolò (1596-1684), was himself an essential expert luthier who had a few understudies of note including Antonio Stradivari (likely), Andrea Guarneri, Bartolomeo Cristofori, Bartolomeo Pasta, Jacob Railich, Giovanni Battista Rogeri, Matthias Klotz and conceivably Jacob Stainer.
Gasparo Duiffopruggar of Füssen, Germany, was once erroneously credited since the designer from the violin. He was likely an imperative creator, yet no documentation survives, without any instruments survive that specialists unequivocally know are his.
Da Salò made numerous instruments and traded to Spain and France, and many prone to England. He had a minimum of five disciples: his child Francesco, an assistant named Battista, Alexander of Marsiglia, Giacomo Lafranchini and-the most critical-Giovanni Paolo Maggini. Maggini inherited da Salò's business in Brescia. Valentino Siani dealt with Maggini. In 1620 Maggini relocated to Florence.
Luthiers conceived within the mid seventeenth century incorporate Giovanni Grancino, Carlo Giuseppe Testore and his children Carlo Antonio Testore and Paolo Antonio Testore, all from Milan. From Venice the luthiers Matteo Goffriller, Domenico Montagnana, Sanctus Seraphin and Carlo Annibale Tononi were principals inside the Venetian school of violin making (even though the recent started his profession in Bologna). The Bergonzi group of luthiers were the successors towards the Amati family in Cremona. David Tecchler who was conceived in Austria later worked both in Venice and Rome.
Paramount luthiers from the early eighteenth century incorporate Nicolò Gagliano ofNaples and Italy, Carlo Ferdinando Landolfi of Milan and Giovanni Battista Guadagnini who meandered all around Italy throughout his lifetime. From Austria initially, Leopold Widhalm later settled himself in Nürnberg, Germany.
The early nineteenth century luthiers from the Mirecourt school of violin making in France were the Vuillaume family, Charles Jean Baptiste Collin-Mezin, and Collin-Mezin's child, Charles Collin-Mezin, Jr.. Nicola Utili (otherwise called Nicola da Castel Bolognese) (Ravenna,italy. Walk 1888 - May 1962) close to customary lute works tested the making of "pear molded" violins.
The Jérôme-Thibouville-Lamy firm began making wind instruments around 1730 at La Couture-Boussey, then moved to Mirecourt around 1760 and began makingguitars and violins, mandolins…